In1956Karindrawstwodiagramswiththedevelopmentofartassheseesit on ascrapsheet,athinsmallwrappingpaper.Themostextensiveschemeisclearlyanelaborationoftheother.Karinrecognizesthreemajordevelopmentalflows:onefromPre-Columbianart,onefromnegrosculptureandathirdfromtheGreek-Etruscantradition.PabloPicassoistheonlyartistwho,underlinedinred,figuresinallthreestreams.RufinoTamayoisalsohighlyregarded.Although this Mexicanartistcomesfromthepre-Columbiantradition,Karinbelievesthathehasalsoundergonemanyinfluencesfromtheothertwo,inparticularPicasso.Karinherselfisinthemidstoftheartistviolence.Althoughsheisatamayo,shealsobelievesthatshewasinfluencedbyGreekart,byBonnardandbyMexicanart.